{"id":23,"date":"2024-01-06T12:00:00","date_gmt":"2024-01-06T12:00:00","guid":{"rendered":"https:\/\/elouan-lebars.fr\/?page_id=23"},"modified":"2026-09-24T14:06:04","modified_gmt":"2026-09-24T14:06:04","slug":"about","status":"publish","type":"page","link":"https:\/\/elouan-lebars.fr\/fr\/about\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-23","page","type-page","status-publish","hentry"],"grid":"{\"colCount\":4,\"colGutter\":2,\"rowGutters\":[1],\"frameMargin\":5,\"leftFrameMargin\":2,\"rightFrameMargin\":2,\"topFrameMargin\":100,\"mus\":{\"colGutterMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"px\",\"bottomFrameMu\":\"%\",\"frameMu\":\"%\"},\"bottomFrameMargin\":4,\"rowAttrs\":[{\"relid\":1},{\"relid\":9}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"<p><strong>\\u00c0 propos<\/strong><\/p><div data-test-render-count=\\\"2\\\"><div class=\\\"group\\\" style=\\\"height: auto; opacity: 1; transform: none;\\\"><div class=\\\"contents\\\"><div class=\\\"group relative relative pb-3\\\" style=\\\"opacity: 1; transform: none;\\\" data-is-streaming=\\\"false\\\"><div class=\\\"font-claude-response relative leading-[1.65rem] [&amp;_pre&gt;div]:bg-bg-000\/50 [&amp;_pre&gt;div]:border-0.5 [&amp;_pre&gt;div]:border-border-400 [&amp;_.ignore-pre-bg&gt;div]:bg-transparent [&amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [&amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\\\"><div><div class=\\\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3 standard-markdown\\\">\\u00c0 travers la vid\\u00e9o, l\\u2019installation et le game design, Elouan Le Bars (1998, Douarnenez, FR) examine les structures id\\u00e9ologiques \\u00e0 l\\u2019\\u0153uvre <span style=\\\"font-weight: 400;\\\">dans les cultures comp\\u00e9titives, les espaces num\\u00e9riques et les formes contemporaines du travail.<br \/><br \/><\/span><\/div><div class=\\\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3 standard-markdown\\\"><span style=\\\"font-weight: 400;\\\">\\u00c0 partir de m\\u00e9thodes de recherche et d'enqu\\u00eate, il transpose les logiques du jeu, de la crise et du management dans des espaces o\\u00f9 elles cessent de fonctionner comme pr\\u00e9vu \\u2014 jusqu'\\u00e0 ce que leurs pr\\u00e9suppos\\u00e9s deviennent visibles. Un mouvement de d\\u00e9placement traverse l'ensemble de son travail : entre le digital et le mat\\u00e9riel, entre documentaire et fiction, entre jouer et \\u00eatre jou\\u00e9.\\u00a0<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><p><br \/>Il vit et travaille \\u00e0 Paris.<\/p><p><strong>Contact<\/strong><\/p><p style=\\\"text-align: left;\\\">lebarselouan@gmail.com<\/p><p><a rel=\\\"noopener\\\" href=\\\"https:\/\/elouan-lebars.fr\/wp-content\/uploads\/2026\/07\/elouan_le_bars_portfolio_july_26_FR.pdf\\\" target=\\\"_blank\\\">Portfolio<\/a><\/p>\",\"align\":\"top\",\"row\":0,\"col\":0,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p><strong>\\u00c9ducation<\/strong><br \/><br \/>2021-2024 - DNSEP, \\u00c9cole Nationale Sup\\u00e9rieure d\\u2019Arts de Paris-Cergy (ENSAPC)<br \/>2016-2021 - Dipl\\u00f4me d\\u2019ing\\u00e9nieur, Universit\\u00e9 de Technologie de Compi\\u00e8gne (UTC)<\/p><p><strong>Expositions solo<\/strong><\/p><p>2026\\u00a0<em>Side Quest,\\u00a0<\/em>centre d'art Ygrec-ENSAPC, Aubervilliers (FR)<br \/>2025\\u00a0<em><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.fraciledefrance.com\/deux-verites-un-mensongeelouan-le-bars\/?lang=en\\\" target=\\\"_blank\\\">Deux v\\u00e9rit\\u00e9s, un mensonge<\/a>, <\/em>Frac Ile-de-France - Le Plateau \/ Project Room, Paris (FR)<\/p><p><strong>Expositions collectives<\/strong><\/p><p><span><span><span><span>2026 <em>where is art produced?<\/em>, Galerie Nicolas Salloum, Paris (FR)<\/span><br \/>2026 <em>Forever Online<\/em>, DDD Kunst House, Yerevan (AM)<\/span><br \/>2026 <em>100% L'EXPO<\/em>, La Villette, Paris (FR)<br \/><\/span><\/span><span><span>2026\\u00a0<em>Pr\\u00e9sentations, <\/em>POUSH, Aubervilliers (FR)<\/span><br \/>2025 <em>PROFIT, <\/em>Plicnik Space Initiative, Londres (UK)<br \/>2025\\u00a0<a rel=\\\"noopener\\\" href=\\\"https:\/\/artviewer.org\/bullshit-job-at-centre-wallonie-bruxelles-paris\/\\\" target=\\\"_blank\\\"><em>Bullshit Jobs<\/em><\/a>, Centre Wallonie-Bruxelles, Paris (FR)<br \/>2025\\u00a0<em>Hot Topics,\\u00a0<\/em>Espace Topic, Gen\\u00e8ve (CH)<br \/><\/span>2025 <em>Un soleil \\u00e0 peine voil\\u00e9<\/em>, Galerie Vivienne, Acad\\u00e9mie des beaux-arts, Paris (FR)<br \/>2025 <em>L\\u2019atelier du d\\u00e9sastre<\/em>, Mus\\u00e9e des arts et m\\u00e9tiers, Paris (FR)<br \/>2025\\u00a0<em><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.kvalitar.cz\/exhibitions\/home-is-where-the-haunt-is\\\" target=\\\"_blank\\\">how is where the haunt is<\/a>, <\/em>Kvalitar Gallery, Prague,(CZ)<br \/>2025 <em>Address Unknown<\/em>, Love Letter, Bagnolet (FR)<br \/>2024 <em>Biennale de la jeune cr\\u00e9ation<\/em>, La Graineterie \\u2013 Centre d\\u2019art de la Ville de Houilles (FR)<br \/>2024 <em>La roue de la fortune, <\/em>Tour Orion, Montreuil (FR)<br \/>2024 <em>Terrestrial Waves, <\/em>101 Art &amp; Design Center, Changle (CN)<br \/>2024 <em>Nord-Est, cartographie des r\\u00e9sonances<\/em>, POUSH, Aubervilliers (FR)<br \/>2024 <em>Sands of Self,<\/em> Centre d'Art Ygrec, Aubervilliers (FR)<br \/>2022 <em>LOX, Oxyg\\u00e8ne liquide,<\/em> Neuvitec95, Paris (FR)<br \/>2022 <em>B\\u00e9ton sous l\\u2019eau<\/em>, B\\u00e9tonsalon, Paris (FR)<\/p><p><strong>Festivals &amp; projections<\/strong><\/p><p>2026 <em><span id=\\\"blink\\\">Down the Rabbit Hole, <\/span><\/em><span id=\\\"blink\\\">Mains d'\\u0152uvres, Saint-Ouen (FR)<\/span><br \/>2025 <em>Festival Actoral<\/em>, Mucem &amp; MAC, Marseille (FR)<br \/>2025 <em>Festival Cin\\u00e9ma du R\\u00e9el,\\u00a0<\/em>Paris (FR)<br \/>2025 <em>Milan Machinima Festival<\/em>, VRAL program<br \/>2024 <em>FRUTIGER METRO A<\/em><span class=\\\"BxUVEf ILfuVd\\\" lang=\\\"fr\\\"><span class=\\\"hgKElc\\\"><em>ERO M\\u00c9LO<\/em>, Glassbox Nord, Paris (FR)<br \/><\/span><\/span>2024 <em>Gofildren Festival, <\/em>Ch\\u00e2teau-l'\\u00c9v\\u00eaque (FR)<br \/>2024 <em>Fanzines ? Festival<\/em>, Montreuil (FR)<strong><br \/><\/strong>2024 <em>Festival Si Cin\\u00e9ma<\/em>, Caen (FR)<br \/>2024 <em>I'm obsessed with<\/em>, Espace TOPIC, Gen\\u00e8ve (CH)<br \/>2023 <em>Athens Digital Art Festival<\/em>, Athens (GR)<br \/>2023 <em>Asolo Art Film Festival, <\/em>Asolo (IT)<br \/>2023 <em>FILE Festival - Video Art<\/em>, S\\u00e3o Paulo (BR)<br \/>2021 <em>Rencontres Internationales Traverse<\/em>, Toulouse (FR)<br \/>2020 <em>Festival du film europ\\u00e9en de Nice<\/em>, Villa Arson, Nice (FR)<\/p><p><strong>R\\u00e9sidences<\/strong><\/p><p>2025 <em>Villa Dufraine<\/em>, Acad\\u00e9mie des Beaux-Arts, Chars (FR)<br \/>2025 <em>Artists\\u2019 Research Laboratory<\/em> avec Ed Atkins, Fondation Antonio Ratti, C\\u00f4me (IT)<br \/>2024 <em>Sapporo Tenjinyama Art Studio,\\u00a0<\/em>Sapporo (JP)<br \/>2024 - en cours - <a rel=\\\"noopener\\\" href=\\\"https:\/\/www.kioskradio.com\/label\/7*-signs-of-good-luck-(a-diary)\\\" target=\\\"_blank\\\"><em>7* signs of good luck<\/em><\/a>, r\\u00e9sidence bimensuelle sur Kiosk Radio, Bruxelles (BE)<\/p><p><strong>Enseignement &amp; workshops<\/strong><\/p><p>2025 - 2026 <em>Artiste invit\\u00e9,<\/em> ENSAPC &amp; ESSEC Metalab (Jeff Guess &amp; Guillaume Chevillon)<br \/>2025 <em>Workshop<\/em>, Frac \\u00cele-de-France, Le Plateau<br \/>2024 - 2025<em> Artiste invit\\u00e9, <\/em>ENSAPC &amp; ESSEC Metalab (Jeff Guess &amp; Guillaume Chevillon)<\/p><p><strong>Presse &amp; Interviews<\/strong><\/p><p>2026 - FisheyeImmersive - <a rel=\\\"noopener\\\" href=\\\"https:\/\/fisheyeimmersive.com\/article\/le-cinema-diablo-iii-et-la-fiction-les-5-inspirations-delouan-le-bars\/\\\" target=\\\"_blank\\\">Le cin\\u00e9ma, \\u00ab\\u00a0Diablo III\\u00a0\\u00bb et la fiction\\u00a0: les 5 inspirations d\\u2019Elouan Le Bars<\/a> (FR)<i><br \/><\/i>2025 - FlashArt - <a rel=\\\"noopener\\\" href=\\\"https:\/\/elouan-lebars.fr\/wp-content\/uploads\/2025\/11\/FlashArt-home-is-where-the-haunt-is-Kvalitar-Gallery-EN.pdf\\\" target=\\\"_blank\\\">home is where the haunt is<\/a>, review (EN)<br \/>2025 - <a rel=\\\"noopener\\\" href=\\\"https:\/\/milanmachinimafestival.org\/elouan-le-bars\\\" target=\\\"_blank\\\">Interview avec Matteo Bittanti<\/a> pour le Milan Machinima Festival (EN)<\/p><p><strong>Publications<\/strong><\/p><p>2026 - <em>BISPHENOL-A<\/em> (juin), \\u00c9ditions du respirateur<br \/>2026 - <em>TORPOR<\/em> (premier num\\u00e9ro)<br \/>2026 - <em>Low Realism<\/em>, Fondation Antonio Ratti<br \/>2025 - <em>Not So Difficult<\/em>, the inspiration issue, NSD7<br \/>2025 - <em>Un soleil \\u00e0 peine voil\\u00e9<\/em>, Diplomatie Studio<\/p>\",\"align\":\"top\",\"row\":0,\"col\":2,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":4,\"absolute_position\":false},{\"type\":\"html\",\"cont\":\"<script type=\\\"application\/ld+json\\\">\\n{\\n  \\\"@context\\\": \\\"https:\/\/schema.org\\\",\\n  \\\"@graph\\\": [\\n    {\\n      \\\"@type\\\": \\\"Person\\\",\\n      \\\"@id\\\": \\\"https:\/\/elouan-lebars.fr\/#person\\\",\\n      \\\"name\\\": \\\"Elouan Le Bars\\\",\\n      \\\"givenName\\\": \\\"Elouan\\\",\\n      \\\"familyName\\\": \\\"Le Bars\\\",\\n      \\\"birthDate\\\": \\\"1998\\\",\\n      \\\"birthPlace\\\": {\\n        \\\"@type\\\": \\\"Place\\\",\\n        \\\"name\\\": \\\"Douarnenez, France\\\"\\n      },\\n      \\\"nationality\\\": {\\n        \\\"@type\\\": \\\"Country\\\",\\n        \\\"name\\\": \\\"France\\\"\\n      },\\n      \\\"homeLocation\\\": {\\n        \\\"@type\\\": \\\"Place\\\",\\n        \\\"name\\\": \\\"Paris, France\\\"\\n      },\\n      \\\"jobTitle\\\": \\\"Artist and filmmaker\\\",\\n      \\\"knowsAbout\\\": [\\n        \\\"Video art\\\",\\n        \\\"Installation art\\\",\\n        \\\"Game design\\\",\\n        \\\"Documentary film\\\",\\n        \\\"Machinima\\\"\\n      ],\\n      \\\"email\\\": \\\"mailto:lebarselouan@gmail.com\\\",\\n      \\\"description\\\": \\\"Through video, installation and game design, Elouan Le Bars (1998, Douarnenez, FR) examines the ideological structures embedded in competitive cultures, digital spaces and contemporary forms of labor. 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\\\"https:\/\/www.youtube.com\/watch?v=ZtR6BiYOc7Y\\\"\\n      },\\n      \\\"subjectOf\\\": {\\n        \\\"@type\\\": \\\"ScreeningEvent\\\",\\n        \\\"name\\\": \\\"Cin\\u00e9ma du R\\u00e9el 2025 \\u2013 First Window\\\",\\n        \\\"startDate\\\": \\\"2025-03\\\",\\n        \\\"location\\\": {\\n          \\\"@type\\\": \\\"Place\\\",\\n          \\\"name\\\": \\\"Paris, France\\\"\\n        },\\n        \\\"url\\\": \\\"https:\/\/www.cinemadureel.org\/en\/discover-the-first-window-films-2\/\\\"\\n      }\\n    },\\n    {\\n      \\\"@type\\\": \\\"Movie\\\",\\n      \\\"@id\\\": \\\"https:\/\/elouan-lebars.fr\/recital-hall\/#film\\\",\\n      \\\"name\\\": \\\"Recital Hall\\\",\\n      \\\"director\\\": [\\n        {\\n          \\\"@id\\\": \\\"https:\/\/elouan-lebars.fr\/#person\\\"\\n        },\\n        {\\n          \\\"@type\\\": \\\"Person\\\",\\n          \\\"name\\\": \\\"Megan Bruinen\\\",\\n          \\\"nationality\\\": {\\n            \\\"@type\\\": \\\"Country\\\",\\n            \\\"name\\\": \\\"Netherlands\\\"\\n          }\\n        }\\n      ],\\n      \\\"dateCreated\\\": \\\"2025\\\",\\n      \\\"duration\\\": \\\"PT13M\\\",\\n      \\\"image\\\": \\\"https:\/\/elouan-lebars.fr\/wp-content\/uploads\/2025\/09\/Recital-Hall-Poster-Web-2000px.jpg\\\",\\n      \\\"description\\\": \\\"A short film made with the artist Megan Bruinen about the rise and fall of the pioneering online chatroom thepalace.net, told through the eyes of a forgotten avatar left behind after the platform was abandoned in the early 2000s.\\\",\\n      \\\"url\\\": \\\"https:\/\/elouan-lebars.fr\/recital-hall\/\\\",\\n      \\\"subjectOf\\\": [\\n        {\\n          \\\"@type\\\": \\\"ExhibitionEvent\\\",\\n          \\\"name\\\": \\\"home is where the haunt is\\\",\\n          \\\"startDate\\\": \\\"2025\\\",\\n          \\\"location\\\": {\\n            \\\"@type\\\": \\\"Place\\\",\\n            \\\"name\\\": \\\"Kvalitar Gallery, Prague\\\"\\n         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\\\"@id\\\": \\\"https:\/\/elouan-lebars.fr\/#person\\\"\\n      },\\n      \\\"dateCreated\\\": \\\"2025\\\",\\n      \\\"duration\\\": \\\"PT15M\\\",\\n      \\\"image\\\": \\\"https:\/\/elouan-lebars.fr\/wp-content\/uploads\/2025\/10\/Situation-Room-Still-5-2560x1440.jpg\\\",\\n      \\\"description\\\": \\\"A video essay set in a hyperreal 3D reconstruction of the White House's crisis room, blending archive footage, Hollywood references and digital renders to probe the spectacle of authority and the exhaustion of its imagery.\\\",\\n      \\\"subjectOf\\\": {\\n        \\\"@type\\\": \\\"ExhibitionEvent\\\",\\n        \\\"name\\\": \\\"Un soleil \\u00e0 peine voil\\u00e9\\\",\\n        \\\"startDate\\\": \\\"2025\\\",\\n        \\\"location\\\": {\\n          \\\"@type\\\": \\\"Place\\\",\\n          \\\"name\\\": \\\"Galerie Vivienne, Acad\\u00e9mie des beaux-arts, Paris\\\"\\n        },\\n        \\\"url\\\": \\\"https:\/\/www.nautesdeparis.fr\/galerie-vivienne-exposition-un-soleil-a-peine-voile-des-residents-de-la-villa-dufraine\/\\\"\\n      },\\n      \\\"countryOfOrigin\\\": {\\n        \\\"@type\\\": \\\"Country\\\",\\n        \\\"name\\\": \\\"France\\\"\\n      }\\n    }\\n  ]\\n}\\n<\/script>\\n\",\"align\":\"top\",\"row\":1,\"col\":2,\"colspan\":2,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":2,\"relid\":10,\"config\":{\"label\":\"\"},\"absolute_position\":false}]}","phonegrid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[5,5],\"frameMargin\":5,\"leftFrameMargin\":5,\"rightFrameMargin\":5,\"topFrameMargin\":5,\"mus\":{\"colGutterMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"%\",\"bottomFrameMu\":\"%\",\"frameMu\":\"%\"},\"bottomFrameMargin\":5,\"rowAttrs\":[{\"relid\":5},{\"relid\":6},{\"relid\":7}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"<p><strong>\\u00c0 propos<\/strong><\/p><div data-test-render-count=\\\"2\\\"><div class=\\\"group\\\" style=\\\"height: auto; opacity: 1; transform: none;\\\"><div class=\\\"contents\\\"><div class=\\\"group relative relative pb-3\\\" style=\\\"opacity: 1; transform: none;\\\" data-is-streaming=\\\"false\\\"><div class=\\\"font-claude-response relative leading-[1.65rem] [&amp;_pre&gt;div]:bg-bg-000\/50 [&amp;_pre&gt;div]:border-0.5 [&amp;_pre&gt;div]:border-border-400 [&amp;_.ignore-pre-bg&gt;div]:bg-transparent [&amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [&amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [&amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\\\"><div><div class=\\\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3 standard-markdown\\\">\\u00c0 travers la vid\\u00e9o, l\\u2019installation et le game design, Elouan Le Bars (1998, Douarnenez, FR) examine les structures id\\u00e9ologiques \\u00e0 l\\u2019\\u0153uvre <span style=\\\"font-weight: 400;\\\">dans les cultures comp\\u00e9titives, les espaces num\\u00e9riques et les formes contemporaines du travail.<br \/><br \/><\/span><\/div><div class=\\\"standard-markdown grid-cols-1 grid [&amp;_&gt;_*]:min-w-0 gap-3 standard-markdown\\\"><span style=\\\"font-weight: 400;\\\">\\u00c0 partir de m\\u00e9thodes de recherche et d'enqu\\u00eate, il transpose les logiques du jeu, de la crise et du management dans des espaces o\\u00f9 elles cessent de fonctionner comme pr\\u00e9vu \\u2014 jusqu'\\u00e0 ce que leurs pr\\u00e9suppos\\u00e9s deviennent visibles. Un mouvement de d\\u00e9placement traverse l'ensemble de son travail : entre le digital et le mat\\u00e9riel, entre documentaire et fiction, entre jouer et \\u00eatre jou\\u00e9.\\u00a0<\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><p><br \/>Il vit et travaille \\u00e0 Paris.<\/p><p><strong>Contact<\/strong><\/p><p style=\\\"text-align: left;\\\">lebarselouan@gmail.com<\/p><p><a rel=\\\"noopener\\\" href=\\\"https:\/\/elouan-lebars.fr\/wp-content\/uploads\/2026\/07\/elouan_le_bars_portfolio_july_26_FR.pdf\\\" target=\\\"_blank\\\">Portfolio<\/a><\/p>\",\"align\":\"bottom\",\"row\":0,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2,\"absolute_position\":false,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"\",\"align\":\"bottom\",\"row\":1,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":3,\"absolute_position\":false,\"dosync\":false},{\"type\":\"text\",\"cont\":\"<p><strong>\\u00c9ducation<\/strong><br \/><br \/>2021-2024 - DNSEP, \\u00c9cole Nationale Sup\\u00e9rieure d\\u2019Arts de Paris-Cergy (ENSAPC)<br \/>2016-2021 - Dipl\\u00f4me d\\u2019ing\\u00e9nieur, Universit\\u00e9 de Technologie de Compi\\u00e8gne (UTC)<\/p><p><strong>Expositions solo<\/strong><\/p><p>2026\\u00a0<em>Side Quest,\\u00a0<\/em>centre d'art Ygrec-ENSAPC, Aubervilliers (FR)<br \/>2025\\u00a0<em><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.fraciledefrance.com\/deux-verites-un-mensongeelouan-le-bars\/?lang=en\\\" target=\\\"_blank\\\">Deux v\\u00e9rit\\u00e9s, un mensonge<\/a>, <\/em>Frac Ile-de-France - Le Plateau \/ Project Room, Paris (FR)<\/p><p><strong>Expositions collectives<\/strong><\/p><p><span><span><span><span>2026 <em>where is art produced?<\/em>, Galerie Nicolas Salloum, Paris (FR)<\/span><br \/>2026 <em>Forever Online<\/em>, DDD Kunst House, Yerevan (AM)<\/span><br \/>2026 <em>100% L'EXPO<\/em>, La Villette, Paris (FR)<br \/><\/span><\/span><span><span>2026\\u00a0<em>Pr\\u00e9sentations, <\/em>POUSH, Aubervilliers (FR)<\/span><br \/>2025 <em>PROFIT, <\/em>Plicnik Space Initiative, Londres (UK)<br \/>2025\\u00a0<a rel=\\\"noopener\\\" href=\\\"https:\/\/artviewer.org\/bullshit-job-at-centre-wallonie-bruxelles-paris\/\\\" target=\\\"_blank\\\"><em>Bullshit Jobs<\/em><\/a>, Centre Wallonie-Bruxelles, Paris (FR)<br \/>2025\\u00a0<em>Hot Topics,\\u00a0<\/em>Espace Topic, Gen\\u00e8ve (CH)<br \/><\/span>2025 <em>Un soleil \\u00e0 peine voil\\u00e9<\/em>, Galerie Vivienne, Acad\\u00e9mie des beaux-arts, Paris (FR)<br \/>2025 <em>L\\u2019atelier du d\\u00e9sastre<\/em>, Mus\\u00e9e des arts et m\\u00e9tiers, Paris (FR)<br \/>2025\\u00a0<em><a rel=\\\"noopener\\\" href=\\\"https:\/\/www.kvalitar.cz\/exhibitions\/home-is-where-the-haunt-is\\\" target=\\\"_blank\\\">how is where the haunt is<\/a>, <\/em>Kvalitar Gallery, Prague,(CZ)<br \/>2025 <em>Address Unknown<\/em>, Love Letter, Bagnolet (FR)<br \/>2024 <em>Biennale de la jeune cr\\u00e9ation<\/em>, La Graineterie \\u2013 Centre d\\u2019art de la Ville de Houilles (FR)<br \/>2024 <em>La roue de la fortune, <\/em>Tour Orion, Montreuil (FR)<br \/>2024 <em>Terrestrial Waves, <\/em>101 Art &amp; Design Center, Changle (CN)<br \/>2024 <em>Nord-Est, cartographie des r\\u00e9sonances<\/em>, POUSH, Aubervilliers (FR)<br \/>2024 <em>Sands of Self,<\/em> Centre d'Art Ygrec, Aubervilliers (FR)<br \/>2022 <em>LOX, Oxyg\\u00e8ne liquide,<\/em> Neuvitec95, Paris (FR)<br \/>2022 <em>B\\u00e9ton sous l\\u2019eau<\/em>, B\\u00e9tonsalon, Paris (FR)<\/p><p><strong>Festivals &amp; projections<\/strong><\/p><p>2026 <em><span id=\\\"blink\\\">Down the Rabbit Hole, <\/span><\/em><span id=\\\"blink\\\">Mains d'\\u0152uvres, Saint-Ouen (FR)<\/span><br \/>2025 <em>Festival Actoral<\/em>, Mucem &amp; MAC, Marseille (FR)<br \/>2025 <em>Festival Cin\\u00e9ma du R\\u00e9el,\\u00a0<\/em>Paris (FR)<br \/>2025 <em>Milan Machinima Festival<\/em>, VRAL program<br \/>2024 <em>FRUTIGER METRO A<\/em><span class=\\\"BxUVEf ILfuVd\\\" lang=\\\"fr\\\"><span class=\\\"hgKElc\\\"><em>ERO M\\u00c9LO<\/em>, Glassbox Nord, Paris (FR)<br \/><\/span><\/span>2024 <em>Gofildren Festival, <\/em>Ch\\u00e2teau-l'\\u00c9v\\u00eaque (FR)<br \/>2024 <em>Fanzines ? Festival<\/em>, Montreuil (FR)<strong><br \/><\/strong>2024 <em>Festival Si Cin\\u00e9ma<\/em>, Caen (FR)<br \/>2024 <em>I'm obsessed with<\/em>, Espace TOPIC, Gen\\u00e8ve (CH)<br \/>2023 <em>Athens Digital Art Festival<\/em>, Athens (GR)<br \/>2023 <em>Asolo Art Film Festival, <\/em>Asolo (IT)<br \/>2023 <em>FILE Festival - Video Art<\/em>, S\\u00e3o Paulo (BR)<br \/>2021 <em>Rencontres Internationales Traverse<\/em>, Toulouse (FR)<br \/>2020 <em>Festival du film europ\\u00e9en de Nice<\/em>, Villa Arson, Nice (FR)<\/p><p><strong>R\\u00e9sidences<\/strong><\/p><p>2025 <em>Villa Dufraine<\/em>, Acad\\u00e9mie des Beaux-Arts, Chars (FR)<br \/>2025 <em>Artists\\u2019 Research Laboratory<\/em> avec Ed Atkins, Fondation Antonio Ratti, C\\u00f4me (IT)<br \/>2024 <em>Sapporo Tenjinyama Art Studio,\\u00a0<\/em>Sapporo (JP)<br \/>2024 - en cours - <a rel=\\\"noopener\\\" href=\\\"https:\/\/www.kioskradio.com\/label\/7*-signs-of-good-luck-(a-diary)\\\" target=\\\"_blank\\\"><em>7* signs of good luck<\/em><\/a>, r\\u00e9sidence bimensuelle sur Kiosk Radio, Bruxelles (BE)<\/p><p><strong>Enseignement &amp; workshops<\/strong><\/p><p>2025 - 2026 <em>Artiste invit\\u00e9,<\/em> ENSAPC &amp; ESSEC Metalab (Jeff Guess &amp; Guillaume Chevillon)<br \/>2025 <em>Workshop<\/em>, Frac \\u00cele-de-France, Le Plateau<br \/>2024 - 2025<em> Artiste invit\\u00e9, <\/em>ENSAPC &amp; ESSEC Metalab (Jeff Guess &amp; Guillaume Chevillon)<\/p><p><strong>Presse &amp; Interviews<\/strong><\/p><p>2026 - FisheyeImmersive - <a rel=\\\"noopener\\\" href=\\\"https:\/\/fisheyeimmersive.com\/article\/le-cinema-diablo-iii-et-la-fiction-les-5-inspirations-delouan-le-bars\/\\\" target=\\\"_blank\\\">Le cin\\u00e9ma, \\u00ab\\u00a0Diablo III\\u00a0\\u00bb et la fiction\\u00a0: les 5 inspirations d\\u2019Elouan Le Bars<\/a> (FR)<i><br \/><\/i>2025 - FlashArt - <a rel=\\\"noopener\\\" href=\\\"https:\/\/elouan-lebars.fr\/wp-content\/uploads\/2025\/11\/FlashArt-home-is-where-the-haunt-is-Kvalitar-Gallery-EN.pdf\\\" target=\\\"_blank\\\">home is where the haunt is<\/a>, review (EN)<br \/>2025 - <a rel=\\\"noopener\\\" href=\\\"https:\/\/milanmachinimafestival.org\/elouan-le-bars\\\" target=\\\"_blank\\\">Interview avec Matteo Bittanti<\/a> pour le Milan Machinima Festival (EN)<\/p><p><strong>Publications<\/strong><\/p><p>2026 - <em>BISPHENOL-A<\/em> (juin), \\u00c9ditions du respirateur<br \/>2026 - <em>TORPOR<\/em> (premier num\\u00e9ro)<br \/>2026 - <em>Low Realism<\/em>, Fondation Antonio Ratti<br \/>2025 - <em>Not So Difficult<\/em>, the inspiration issue, NSD7<br \/>2025 - <em>Un soleil \\u00e0 peine voil\\u00e9<\/em>, Diplomatie Studio<\/p>\",\"align\":\"bottom\",\"row\":2,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":4,\"absolute_position\":false,\"frameOverflow\":\"\"}]}","_links":{"self":[{"href":"https:\/\/elouan-lebars.fr\/fr\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elouan-lebars.fr\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/elouan-lebars.fr\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/elouan-lebars.fr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elouan-lebars.fr\/fr\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":0,"href":"https:\/\/elouan-lebars.fr\/fr\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"wp:attachment":[{"href":"https:\/\/elouan-lebars.fr\/fr\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}